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Franco American Swing- John Jorgenson

Jorgenson is best known as a founding member of the Desert Rose Band, for his dazzling fretwork with the super guitar trio The Hellecasters, from his six-year stint as a member of Elton John’s band, and his session work with a diverse range of artists including rock icons Elton John, Bob Dylan, Bonnie Raitt and Bob Seger, country legends Willie Nelson, Johnny Cash, Emmy Lou Harris and Hank Williams Jr. , and international superstars like Barbara Streisand and Luciano Pavarotti.
Even though he has made his living playing primarily rock, country, and pop music John’s love for jazz and swing music dates back to his youth when his father, James, was conducting Benny Goodman. John, who idolized Goodman, actually got to play with his hero while his father led the way. As accomplished on clarinet as he is on guitar, Jorgenson’s first swing recording After You’ve Gone was a tribute to both his heros, Django Reinhardt and Benny Goodman. Released in 1985, John played Django style Gypsy jazz on the first side of the LP and recreated the sound of the Benny Goodman Quintet, playing both Charlie Christian’s electric guitar parts and Goodman’s swinging clarinet style, on the other.


In the world of Gypsy jazz music, John Jorgenson has long been know as one of the best American masters of the Django Reinhardt guitar style. In 2002, when the musical director for John Duigan’s film Head In The Clouds was looking for someone who could faithfully re-record two tracks from the Quintet of the Hot Club of France for use in the film Guitar Player Magazine editor Micheal Molenda recommended Jorgenson. John not only transcribed and recorded the Hot Club’s “Blue Drag” and “Minor Swing” for use in the film, he also played the role of Django Reinhardt in the movie. The film, which stars Charlize Theron and Penelope Cruz, is scheduled for release by Sony Classic in September 2004.


Although the two songs from the movie soundtrack are included on Jorgenson’s new CD, the disc primarily features his original music. Jorgenson says, “My goal in making this CD was not only to be as true to the style as an American can be, but also to expand the style by adding new compositions and including orchestral arrangements which are the result of an on-going creative collaboration with the Nashville Chamber Orchestra. My background in classical music and my experience playing rock and pop music can’t help but color my compositions and lend an accessibility that can be rare in jazz.”

 

Track List:

1. F.A Swing
2. Mirror in Blue
3. Man of Mystery
4. Snowflake Waltz
5. In Memory of Danny Gatton
6. J'Attendrai
7. Valse de Samois
8. Smoldering Ashes
9. Swing Junction
10. Waltz for Mary
11. Cher Jaqueline
12. Crimson Waltz
13. F.A. Swing Alt.
14. Blue Drag
15. Minor Swing

Other FGM Titles John Appears On

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I'm Not Gonna Let My Blues Bring Me Down- Brad Davis


Having spent the last fifteen years performing on stage as a member of Marty Stuart's road band, playing lead acoustic guitar with Earl Scruggs and Friends, and playing lead electric and acoustic guitar with Billy Bob Thornton's rock band, Brad Davis now brings his acoustic guitar and songwriting talent to the forefront with the release of his new solo recording I'm Not Gonna Let My Blues Bring Me Down. While presenting Brad's unique blend of acoustic blues, rock, country and bluegrass and highlighting his vocal, songwriting, acoustic guitar, mandolin and bass talents, the album's real excitement resides in the interaction between Brad and some of the world's most talented musicians from the bluegrass, newgrass, country and rock genres. Brad's concept on this recording was to write and record the music that he loves with the musical friends and heroes who he knew could help him get the most out of each song.

On the rockin', bluesy, title cut, "I'm Not Gonna Let My Blues Get Me Down," Jon Randall Stewart (of the Sam Bush Band and Emmy Lou Harris's Nash Ramblers) sings harmony vocals and swaps guitar solos with Brad. On cut two, "Old Number Nine," Brad displays his talent for writing, singing and playing bluegrass music while bluegrass and newgrass legend Sam Bush masterfully adds his signature mandolin rhythm chop and clean, fluid mandolin solos. On cut three Brad displays his own mandolin talent on the funky, poetic "Dawg Diddy" and is backed up by David Grier (three-time International Bluegrass Music Association Guitar Player of the Year and voted one of Acoustic Guitar Magazine¹s Guitar Players of the Decade). On cut four Brad moves back to the bluegrass genre and teams with his brother Greg Davis (turbo-charged banjo talent) to show just how fast two bluegrassers can pick on the frighteningly fast "Big Timber."

On cut five we hear film star Billy Bob Thornton sing lead on Brad¹s haunting "Tell Me Son." Brad and rock star Tommy Shaw (of Styx and Damn Yankees) provide the harmony vocals. "Cypress Walls"--a tune Brad co-wrote with Nashville tunesmith Tommy Polk--follows, with Brad singing and playing guitar while bluegrass Dobro master Rob Ickes provides accompaniment. On cut seven blues vocalist Kelly Knolf helps Brad sing a blues-inspired version of the bluegrass classic "Rank Stranger." On cut eight, Brad flies solo, singing and playing guitar, mandolin and bass on his ballad "Black Snake." For cut nine, "Where You Belong" (a song that could easily become a country classic), Brad is joined on mandolin and vocals by super session picker John Jorgenson (of Elton John, the Desert Rose Band and Hellecasters).

On "California," the CD's tenth cut and its only instrumental, Brad highlights his famous double-down-up guitar technique. Guitar players are going to wonder, "how does he do that!?" And cut eleven, the folky "I Love My Guitar," emphasizes Brad's special relationship with the instrument. These are both tunes that all guitar players will appreciate and admire. Brad also goes solo on "The Site of Truth," cut twelve, singing and playing the guitar, mandolin and bass. On cut thirteen Brad sings the waltz-time lament "Journey Through Misery" and is backed-up by bluegrass fiddle great Glen Duncan. On the CD's final cut-which Brad co-wrote with Gary Scruggs-Brad is joined by bluegrass banjo legend Earl Scruggs.

This recording takes the listener on a musical journey through the rock, blues, bluegrass, newgrass and country music genres as interpreted by Brad Davis and a cast of special guests who have helped to define those genres. Fans of Marty Stuart and Earl Scruggs have long known about Brad Davis's talent as an instrumentalist. Here they will find that he is an equally talented songwriter and singer.

 

 

Track List:

1. I'm Not Gonna Let My Blue Bring Me Down
2. Old Number Nine
3. Dawg Diddy
4. Big Timber
5. Tell me Son
6. Cypress Walls
7. Rank Stranger
8. Black Snake
9. Where You Belong
10. California
11. I Love My Guitar
12. Sight Of Truth
13. Journy Through Misery
14. The Clock Strikes Twice

 

This World Ain't No Child- Brad Davis

Guest artist who appear on this recording include: movie star Billy Bob Thorton, Sam Bush (New Grass revival, Nash Ramblers, The Sam Bush Band), Rob Ickes (Blue Highway), Greg Davis (Ramona Jones), rock star Tommy Shaw (Styx, Damn Yankees), John Jorgenson (Elton John, Desert Rose Band, Hellecasters), banjo legend Bela Fleck, John Cowan, and more.

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Track List:

1. All I Need To Know
2. Ain't That Just Like Love
3. Love You Don't Know
4. I'm Not Through Loving You
5. Shadows
6. This World Ain't No Child
7. LaCrosse
8. You and I
9. Feet of Clay
10. True Love
11. Holy River
12. Falling

 

John Jorgenson

Born in Madison, WI to an orchestra conductor and a piano instructor, John was surrounded by music from birth. Before John's first birthday, his family moved to southern California, where John's youth was spent studying music -- first on the piano at age 5 and then on the clarinet at age 8. When as a 10-year-old he first discovered the music of the Beatles, John began begging his parents for a guitar. Originally unenthusiastic about it, his parents stalled for two years in getting John his first guitar but eventually realized it was not a passing fad, but a true love affair with the instrument.


All throughout school John continued to study classical music, playing clarinet and bassoon in local orchestras -- and winning a few awards along the way. At the same time, he played in local rock bands at dances and frat parties, learning as much as he could about guitar from records or the occasional chance of seeing a guitarist live. He completed his education, earning a degree in woodwinds performance, all the while his heart set on a career playing the guitar.


Upon graduating from college, John toured Europe with a chamber orchestra as a bassoonist, played around the Hollywood area rock clubs with a "New Wave" band, and learned about recording, arrangement, and production techniques by making multitracked demos in his home studio. Frustrated by the shallowness of the LA club scene, John took a job at Disneyland, playing bluegrass mandolin, Dixieland clarinet, and Gypsy-jazz guitar. The rigors of performing 7 sets daily for audiences (with no stage or PA system) honed John's playing chops and performing skills over a period of many years.


In 1985, John met Chris Hillman and after a couple of short tours playing acoustic music together, they decided to form the Desert Rose Band. Quickly signed by Curb/MCA records, the band earned five consecutive #1 singles, two Grammy nominations, three ACM awards, and won the respect of fans, disc jockeys, and fellow musicians alike. During this time, John was voted ACM Guitarist Of The Year for three consecutive years.


By 1990, John felt stifled by the confines of the country format and left the Desert Rose Band to pursue a solo career. Twice he was sidetracked -- first by a one-time-only performance with fellow guitarists Will Ray and Jerry Donahue that grew into a 10 year partnership as the Hellecasters. Described as the "Three Tenors of the Electric Guitar," the humor and jaw-dropping technique of the Hellecasters' music drew the immediate attention of Michael Nesmith, who asked the band to do a CD for his new label in 1992. The resulting CD "Return of the Hellecasters" so impressed the readers of Guitar Player magazine that it was voted both Best Overall Guitar Album as well as Best Country Album of 1993.
The next sidetrack came in the form of a phone call from Elton John, asking John to join Elton's band for an 18-month world tour. Needing a "guitarist who can do lots of harmony vocals," Elton ended up getting much more, as John contributed not only guitar and vocals, but also mandolin, pedal steel guitar, and saxophone to his live shows and CD’s. 18 months stretched into 6 years, and John still planned to pursue a solo career....


Unable to postpone it any longer, John left Elton’s band to devote himself entirely to promoting his own music. 1999 saw the release of John’s first true solo effort -- "Emotional Savant." An eclectic offering, the album highlights many of John’s musical influences melded together in a well-crafted pop format. British rock guitar supports California vocal harmonies, with Celtic and gypsy-jazz guitars bringing spice to the personal nature of John’s lyrics. The album testifies to John's skills as a solo artist: John played nearly all the instruments on the album. Additionally, John wrote the music and lyrics, and produced, arranged, engineered, and mixed the album, and even designed the CD artwork.


To promote the CD, John assembled a band of friends and A-list musicians: Elton John bandmate Charlie Morgan, a "drummer’s drummer" who has played with Sir Paul McCartney among others; Glasgow based bassist Alan Thomson, whose work with Rick Wakeman and John Martyn is stellar; the multi-talented Jeff Ross, former Badfinger member who contibutes keyboards, guitar, and vocals. The diverse skills of these musicians allows John to include material from all phases of his career, which he enthusiastically does in his current shows. (For more information about the John Jorgenson & Friends band, click here .)


"When did John find time to play with all the other artists listed in the discoraphy?" From 1986 onwards he has had a very active career as an "A team" session musician in Los Angeles, Nashville, and London, and has worked on many TV shows and movies over the years.


With all these accomplishments and accolades, is there one thing that John is most personally proud of? John says that his biggest honor has been to have his composition "Back on Terra Firma" performed live at the Closing Ceremonies of the 2000 Olympics in Sydney, Australia... at least that is his favorite achievement so far!

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